- produce more effective and engaging communication of spatial ideas while simultaneously broadening the toolset in architectural education
- document, track and build upon research and workflows through creation of templates and databases for public access, and
- stage opportunities to work in interdisciplinary teams to establish initial experiments, build upon these in coursework, and consider other tools and technology given the necessity of architecture to reconsider materials and methods of construction due to climate change.
The relationship between professional practice and education in architecture is symbiotic. Historically, technology developed in the military and/or higher education moves to market, is integratedin professional practice,and then introduced in foundational courses of architecture. Conventional techniques of communication such as plans, sections, axonometric, and perspective are directives from the profession as seen in the artifacts of a client presentation and construction documents. In the past few decades the reverse of this exchange has occurred, as tools and technology of education have moved to professional practice. Software programs such as Rhino and Maya, and hardware such as laser cutters, 3D printers and the equipment of fabrication labs that are standard in schools of architecture have pressured professional offices to have access to these tools given the potential in practice and the education and skills of newly hired interns. The use of tools and technology in practice and architectural education broaden their conception anduse as they migrate from one sector to the other. The UARTS Faculty Engineering/Arts Student Team (FEAST) will be engaged in the following:
- Coordinate the use of the Velodyne VLP–16 Hi–Res Puck sensor, borrowed from the Robotics Institute, accessories (GPS, conventional tools of measure) and softwares(Veloview, ReCap, AutoCAD/Rhino) to produce a point cloud model of a site. Compare this to the point cloud model of the 3D terrestrial scanner.
- Document existing architectural models using photogrammetry. Documentation of range of techniques (distance, angles, setup, etc.) tested to enable comprehensive point cloud, high–resolution model as candidate for seaming into site scans using the rotational puck and/or 3D terrestrial scanner.
- Experiment and test integrations of VFX and XR in design process and presentation.
- Develop templates and formats for tracking and documentation of fieldwork (scanning and conventional measure), photogrammetry, workflows of fieldwork, design process.
- Develop database to collect scans from LiDAR and photogrammetry ofdifferent scales of environments/sites and assets.
- Develop database of projects.
- Documentation of workflows, procedural pipelines, etc. to build upon as work continues and team members move in and out of the research
Tuesdays & Fridays, 8:00–9:00am
Students apply to a specific role on team as follows:
Machine Vision (4 Students)
Preferred Skills: LIDAR/rotational puck sensors, point clouds
Likely Majors: ROB, CS, EE, CE
Remote Sensing and GIS (4 Students)
Preferred Skills: Photogrammetry, surveying, ArcGIS, documentation of workflows, procedural pipelines, establishing a database for scans
Likely Majors: ARCH, CEE, EECS
VR and 3D Visualization (4 Students)
Preferred Skills: Maya, Adobe CC, Rhino, AutoCAD, Recap, Metashape Pro, Unity, Houdini/Blender, architecture design process and foundational skills of representation
Likely Majors: ARTDES, ARCH, SI
Faculty Project Lead
Dawn Gilpin is Lecturer IV in Architecture at the University of Michigan, Taubman College of Architecture and Urban Planning where she teaches drawing, design, and representation. After receiving her M. Arch. from Southern California Institute of Architecture in Los Angeles Gilpin worked in the offices of Architectural Alliance and Meyer, Scherer, and Rockcastle in Minneapolis. Gilpin taught design and representation at the University of Minnesota where she co-directed a semester abroad in Oaxaca, Mexico and co-designed and participated in the exhibition The Home Show/Architecture Studio, at the Walker Art Center in Minneapolis. Co-founder and director of Adams + Gilpin, she works on a range of projects and creative endeavors focused on the reconfiguration of the status of accessibility within domesticity. Gilpin is honored to be a multiple-year recipient of the Donna Salzer Award for Teaching Excellence. Gilpin’s 2016 Wallenberg Studio, “The Radical and The Preposterous: Mind the Gap”, won one of six ARCHITECT Studio Prizes.
Likely Majors: ARCH, ARTDES, CE, CEE, CS, EE, EECS, ROB, SI
Summer Opportunity: Summer research fellowships may be available for qualifying students.
Citizenship Requirements: This project is open to all students on campus.
IP/NDA: Students who successfully match to this project team will be required to sign an Intellectual Property (IP) Agreement prior to participation in January 2021.
Course Substitutions: CoE Honors